Tagged: music Toggle Comment Threads | Keyboard Shortcuts

  • feedwordpress 09:01:31 on 2019/02/18 Permalink
    Tags: , Gordon Lightfoot, Hard Rock Park, , music, , rumor, ,   

    “Rock and roll is here to stay”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    HardRockPark

     

    Hard Rock Park, a 50-acre rock music-themed amusement park just outside Myrtle Beach in South Carolina… billed as the world’s first rock and roll theme park, opened its gates to the public in the spring of 2008. One of the first things visitors saw when they walked through the gates was a giant electric guitar—rising 90 feet over the park’s central lagoon, the statue loomed into view as park-goers strolled past the bell towers of the entry plaza, modeled after the buildings in the cover art of Hotel California. If they looked down as they approached the water, they would realize they were standing on the frets of another guitar, set into the pavement.

    The Gibson statue was iconic, but it wasn’t the park’s largest structure. That was Led Zeppelin The Ride: a roughly 150-foot tall rollercoaster designed in partnership with the band and synced to its 1969 hit, “Whole Lotta Love.” Riders boarded inside a life-sized airship, and speakers blasted the song’s breakdown as they were cranked up the lift hill; the iconic guitar riff kicked in as the train hurtled out of the first loop.

    Across the water, a huge mural beckoned visitors into a Moody Blues-themed dark ride called Nights in White Satin: The Trip, designed to evoke a multisensory psychedelic experience. The adjacent concert arenas hosted artists like the Eagles, Kid Rock, and Charlie Daniels; after sunset, the lagoon erupted into a nightly fountain and firework extravaganza choreographed to Queen’s “Bohemian Rhapsody.” Lasers shot from the head of the guitar statue during Brian May’s solo, before a sparkler-covered kite was towed around the water during the song’s final bars…

    Hard Rock Park closed after just five months, amid the 2008 financial crisis.  Learn its (fascinating) story and take a stroll through what remains at “The Spectacular Failure of the World’s Only Hard Rock Theme Park.”

    * Neil Young

    ###

    As we wave our lighters, we might recall that it was on this date in 2010 that Gordon Lightfoot (one of the fathers of folk-pop and “Canada’s greatest songwriter”), driving himself home from a visit to his dentist, heard on the radio that he had died.  “It seems like a bit of a hoax or something,” the then-71-year-old singer said at the time. “I was quite surprised to hear it myself.”

    (As it happened, then-CTV journalist David Akin had posted on Twitter and Facebook a rumor that he’d heard that Lightfoot had died… without qualifying that it was a rumor.)

    220px-GordonLightfoot_Interlochen source

     

     
  • feedwordpress 09:01:57 on 2019/01/25 Permalink
    Tags: , Elvis Presley, , , jacket, Jailhouse Rock, Melchior Tersen, music, patches, rock music,   

    “Full Metal Jacket”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    metal jacket

    Heavy metal is a vast and complex subculture, with supremely elitist followers and heavily codified attire, impenetrable to those outside of its fanbase. As heavy metal’s influence continues to spread throughout culture, from Justin Bieber’s Purpose Tour imitation of Pentagram’s logo to Tommy Genesis wearing Toxic Holocaust merch,  Melchior Tersen’s timely and impressive book, Killing Technology [here], documents the frontline of its symbolism: patches and patch jackets, DIY garments that fans build up themselves, sometimes over many years. Patches are bought at festivals, on merch tables at gigs and from record shops and online distros. Sites like T-Shirt Slayer exist both to trade in rare items and, more importantly, to show off collections of rare items. The breadth of the genre is overwhelming, but most true metal fans would be able to size you up immediately by the patches you wear on your jacket…

    metallica

    Metal style was a fashion in the 90s. Now we are in an era that’s more based on reblogging than pure avant-garde creation.  Still, metal visuals fascinate a public that’s not necessarily into metal as music. A consideration of the form– and more photos– at Paper Journal‘s interview with Tersen: “Killing Technology.”

    * (the title of a Stanley Kubrick film)

    ###

    As we get loud, we might recall that it was on this date in 1958 that Elvis Presley’s “Jailhouse Rock” become that first single to enter the U.K. pop charts at #!.  The record (the B-side “treat Me Nice”) would stayed on top for three weeks.

    220px-jailhouse_rock source

     

     

     
  • feedwordpress 09:01:27 on 2018/12/19 Permalink
    Tags: , Coal Miners Daughter, , data science, , , Loretta Lynn, lyrics, music, trucks,   

    “Three chords and the truth – that’s what a country song is”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    FreqPlot_beer_and_truck

    I’ve started working on a textual analysis of popular country music.

    More specifically, I scraped Ranker.com for a list of the top female and male country artists of the last 100 years and used my python wrapper for the Genius API to download the lyrics to each song by every artist on the list. After my script ran for about six hours I was left with the lyrics to 12,446 songs by 83 artists stored in a 105 MB JSON file. As a bit of an outsider to the world of country music, I was curious whether some of the preconceived notions I had about the genre were true.

    Some pertinent questions:

    Which artist mentions trucks in their songs most often?

    Does an artist’s affinity for trucks predict any other features? Their gender for example? Or their favorite drink?

    How has the genre’s vocabulary changed over time?

    Of all the artists, whose language is most diverse? Whose is most repetitive?…

    John W. Miller dives deeply into Country lyrics: “Trucks and Beer.”

    * Willie Nelson

    ###

    As we parse the pain, we might recall that it was on this date in 1970 that Loretta Lynn’s epic “Coal Miner’s Daughter” hit #1 on the Billboard Country chart.  It mentions neither truck nor beer.

     

     
  • feedwordpress 09:01:43 on 2018/11/14 Permalink
    Tags: Aaron Copland, Appalachian Spring, , , , music, , , tempo,   

    “To suffer the penalty of too much haste, which is too little speed”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    Johann-Sebastian-Bach

    Pop and rap aren’t the only two genres speeding up in tempo in the breakneck music-streaming era: The quickening of pace seems to be affecting even the oldest forms of the art. Per research this weekend from two record labels, classical music performances of J.S. Bach have also gotten faster, speeding up as much as 30 percent in the last half century…

    The fascinating details– and a hypothesis as to what’s going on– at “Even Classical Music Is Getting Faster These Days.”

    *Plato

    ###

    As we pick up the pace, we might wish a harmonious Happy Birthday to Aaron Copland; the composer, writer, teacher, and conductor was born on this date in 1900.  Known to his peers and critics as “the Dean of American Composers,” his signature open, slowly-changing harmonies– e.g., in “Appalachian Spring“–  are typical of what many consider the sound of American music, evoking the vast American landscape and pioneer spirit.

    220px-Aaron_Copland_1970 source

     

     
  • feedwordpress 08:01:08 on 2018/10/03 Permalink
    Tags: Auto-Tune, , music, , , , , , ,   

    “So sa-a-a-ad that you’re leaving”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    autotune-header-edit2

    It happened exactly 36 seconds into the song—a glimpse of the shape of pop to come, a feel of the fabric of the future we now inhabit. The phrase “I can’t break through” turned crystalline, like the singer suddenly disappeared behind frosted glass. That sparkly special effect reappeared in the next verse, but this time a robotic warble wobbled, “So sa-a-a-ad that you’re leaving.”

    The song, of course, was Cher’s “Believe,” a worldwide smash on its October 1998 release. And what we were really “leaving” was the 20th century.

    The pitch-correction technology Auto-Tune had been on the market for about a year before “Believe” hit the charts, but its previous appearances had been discreet, as its makers, Antares Audio Technologies, intended. “Believe” was the first record where the effect drew attention to itself…

    And an era was born.  We’ve looked at Auto-Tune before (see here for an example of the difference the technology can make, here, and here); now, from our friends at Pitchfork, an in-depth history of the most important pop innovation of the last 20 years: “How Auto-Tune Revolutionized the Sound of Popular Music.”

    * Cher, “Believe”

    ###

    As we pine for authentic imperfection, we might recall that it was on this date in 1901 that the Victor Talking Machine Company was incorporated.  A phonograph manufacturer and record company, it operated on disc record patents that it soon licensed to the Columbia Record Company as well (reinforcing Victor’s position as the leading phonograph manufacturer).  In 1929, Victor was merged into RCA.

     

     
  • feedwordpress 08:01:00 on 2018/09/27 Permalink
    Tags: Don Kirshner, Don Kirshner's Rock Concert, , , music, , , ,   

    “One of These Days”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    Velvet Underground

    The Velvet Underground at The Record Plant on May 6, 1969, during a session for VU. L to R: Doug Yule, Lou Reed, Maureen Tucker, Sterling Morrison, engineer Gary Kellgren

     

    The Velvet Underground album VU is the binding agent in a career of releases that differ so dramatically one from another as to be almost artistic reversals. VU has the dark majesty of The Velvet Underground & Nico, the neurotic strut (if not the head-wrecking dissonance) of White Light/White Heat, the tenderness and emotional insight of The Velvet Underground, and the pure pop sensibility of Loaded. In its 10 tracks, it contains refined versions of what the band did well during the four years they lasted. The irony is that VU wasn’t released until more than a dozen years after the Velvet Underground disbanded.

    Recorded primarily in 1969, after the ouster of multi-instrumentalist John Cale, and later cannibalized by principal songwriter Lou Reed for his solo career, the recordings that make up VU were shelved for 16 years. They stayed in the MGM vaults, mostly unmixed, until discovered during the process of reissuing the band’s catalog in the early 80s. As a result, VU benefitted from much improved audio technology and was released to a world not only better prepared for the Velvet Underground, but one that had largely absorbed its lessons. The album made a beautiful tombstone for the band’s career, at a time when all the members were alive to see it…

    The story of an epic album that almost never was: “Shelved: The Velvet Underground’s Fourth Album.”

    * Lou Reed (title of one of the cuts on VU)

    ###

    As we slip on the headphones, we might recall that it was on this date in 1973 that Don Kirshner’s Rock Concert premiered on U.S. television, featuring a performance by the Rolling Stones. It ran until 1981.

    Don-Kirshner-logo-red-SM-v1 source

     

     
  • feedwordpress 08:01:35 on 2018/09/14 Permalink
    Tags: 1968, counterculture, , Harper Valley PTA, Hey Jude, , music, , , ,   

    “Take a sad song and make it better”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    A rehearsal of the musical <i>Hair</i> at the Shaftesbury Theatre, London, September 1968

    A rehearsal of Hair.  Premiered in late 1967; photo taken, 1968

     

    Certain years acquire an almost numinous quality in collective memory—1789, 1861, 1914. One of the more recent additions to the list is 1968. Its fiftieth anniversary has brought a flood of attempts to recapture it—local, national, and transnational histories, anthologies, memoirs, even performance art and musical theater. Immersion in this literature soon produces a feeling of déjà vu, particularly if one was politically conscious at the time (as I was).

    Up to a point, repetition is inevitable. Certain public figures and events are inescapable: the tormented Lyndon Johnson, enmeshed in an unpopular, unwinnable war and choosing to withdraw from the presidential stage; the antiwar candidacies of Eugene McCarthy and Robert Kennedy; the intensifying moral challenges posed by Martin Luther King; the assassinations of King and Kennedy; the racially charged violence in most major cities; the police riot against antiwar protesters (and anyone else who got in their way) at the Democratic National Convention in Chicago; the emergence of right-wing candidates—George Wallace, Richard Nixon—appealing to a “silent majority” whose silence was somehow construed as civic virtue. And the anticlimactic election: the narrow defeat of Hubert Humphrey by Nixon, who promised to “bring us together” without specifying how.

    What togetherness turned out to mean was an excruciating prolongation of the war in Vietnam, accompanied by an accelerating animosity toward dissent. The effort to satisfy the silent majority by exorcising the demons of 1968 would eventually lead to the resurgence of an interventionist military policy, the dismantling of what passed for a welfare state, and the prosecution of a “war on drugs” that would imprison more Americans than had ever been behind bars before.

    Revisiting this story is important and necessary. But difficulties arise when one tries to identify who those demons actually were…

    Rutgers professor Jackson Lear considers several attempts to distill the lessons of the late 60s: “Aquarius Rising.”

    Special bonus: film critic J. Hoberman on why, in 1968, an especially rich year for cinema, Night of the Living Dead was his pick for best movie.

    * The Beatles, “Hey Jude”

    ###

    As we Let The Sunshine In, we might recall that on this date in 1968, our post’s title source, “Hey Jude,” sat at #2 on the pop chart– just ahead of “1,2,3, Redlight” by the 1910 Fruitgum Co. at #3 and The Rascals’ “People Got To Be Free” at #4… and just behind that week’s #1, “Harper Valley P.T.A.” by Jeannie C. Riley.

    jeannie-c-riley-harper-valley-pta-1968-a source

     

     
  • feedwordpress 08:01:50 on 2018/08/01 Permalink
    Tags: , Delia Derbyshire, , , , music, , Radiophonics Workshop,   

    “I can kind of envision maybe one person with a lot of machines, tapes, and electronics set up, singing or speaking and using machines”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    radiophonics

     

    In 1957, just before the broadcast of a radio show called Private Dreams and Public Nightmares, a warning was sent to BBC engineers. “Don’t attempt to alter anything that sounds strange,” it said. “It’s meant to sound that way.” The BBC was also worried about the public. Donald McWhinnie, the programme’s maker, made an explanatory statement, ending with the cheerful signoff: “One thought does occur – would it not be more illuminating to play the whole thing backwards?”

    Radiophonic sound was now in the public domain. A year later, to the bewilderment of many, the BBC dedicated a whole workshop to this avant-garde stuff, even giving it a home in an old ice rink: Maida Vale Studios. Years later, the Queen, shaking hands with the Workshop’s creator, Desmond Briscoe, would confirm its universal success with the words: “Ah yes, Doctor Who.”**

    But what is radiophonic sound – and why did it need a workshop? Radiophonics owes everything to the invention of the tape recorder. Once you could capture sound, using a workable material, you could play with it: slow it down until it thundered, feed it back on itself until it shrieked and echoed, or simply slice bits out. However extreme these experiments became, there was always something eerily familiar to the ear, because they were made from real objects or events…

    The story of the BBC’s storied Radiophonics Workshop: “Now for a lampshade solo: how the Radiophonic Workshop built the future of sound.”

    * Jim Morrison in a 1969 interview, when asked about the future of music

    ** For the story of the remarkable Delia Derbyshire [left in the photo above], who arranged and performed (on an oscilloscope) Ron Grainger’s composition for the theme of Doctor Who, see here and here.  And not that you need reminding, hear the original Doctor Who theme here.

    ###

    As we appreciate audio, we might recall that it was on this date in 1981, with the words “Ladies and Gentlemen, rock and roll,” that MTV premiered.  The first video featured on the new cable channel was The Buggles’ “Video Killed the Radio Star.”  Indeed.

    source

     

     
  • feedwordpress 08:01:01 on 2018/07/22 Permalink
    Tags: , , Introducing...The Beatles, music, , recording studio, studio,   

    “If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

    Sun-Studios-web-optimised-740

    At 706 Union Avenue, Memphis, Tennessee, you’ll find a reconstruction of the legendary Sun Records studio (home to Howlin’ Wolf, BB King Elvis Presley, Jerry Lee Lewis, Roy Orbison, Carl Perkins and Johnny Cash, anog others) complete with a recording studio where the likes of U2 and John Mellencamp have recorded. Photo: Paul McGuinness

     

    When The Beatles were photographed in August 1969, striding over a zebra crossing in St John’s Wood, London, for the cover shot of their album Abbey Road  they were celebrating a building that had played an essential part in helping them take the music world by storm – and, in the process, turned Abbey Road into one of the most famous recording studios in the world.

    The names of iconic recording studios – Sun, Muscle Shoals, Motown, Electric Lady, Trident, Sunset – have become almost as famous as the musicians who have created masterpieces at these venues.

    Important recording studios are more than just bricks, mortar and audio equipment to musicians. The Rolling Stones named a song in honour of the Chess Records Studio and Sonic Youth acknowledged New York’s Echo Canyon Studios by naming their 12th studio album, Murray Street, in tribute to a site that had played a key role in their success…

    A history of the recording and a celebration of some of music’s storied studios: “Sound Matters: A History Of Legendary Recording Studios.”

    * Brian Eno

    ###

    As we hum along, we might recall that this date in 1963 was the “official” release date of Introducing… The Beatles, the Fab Four’s first U.S. album.  But confusion at Vee-Jay, the album’s label, delayed the actual release until January 10 of the following year…  one week before Capitol’s Meet the Beatles!.  The latter album, however, entered the U.S. album chart one week before the former. And so, while Meet The Beatles! peaked at No. 1 for eleven consecutive weeks, Introducing…The Beatles stalled at No. 2 where it remained nine consecutive weeks.

    Coincidentally, it was on this same day (July 22, 1963) that The Beatles began their first U.K. tour (with Gerry and the Pacemakers) at the Odeon Cinema in Weston-Super-Mare.

    introducing_the_beatles source

     

     
  • feedwordpress 08:01:48 on 2018/07/17 Permalink
    Tags: 80s, , , Moon Unit, music, , , Valley Girl, Zappa   

    “In a lot of places, of course, the ’80s had never really come to an end”*… 


    Warning: preg_match_all(): Compilation failed: invalid range in character class at offset 7 in /homepages/23/d339537987/htdocs/pb/wp-content/themes/p2/inc/mentions.php on line 77

     

     

    frankie-goes-to-hollywood

    Frankie Goes to Hollywood: You have woken up under your high school gym teacher.

     

    Simple Minds: You have tasted a scented pen.

    Mike and the Mechanics: You have thrown a Rolodex at a raccoon or skunk.

    Peter Gabriel: You know what Fimo tastes like.

    Roxette: You have injured yourself with a Q-Tip.

    Madonna: Your bedroom smells like Midori.

    Tommy Tutone: You have attempted to use a Polaroid picture as an ID.

    Eurythmics: You have lost a mood ring in a hot tub.

    The Smiths: You have read aloud to a hamster, ferret, or turtle.

    Def Leppard: You have used a package of lunch meat as a pillow.

    Psychedelic Furs: You have worn sunglasses through an entire tooth cleaning…

    Consult a (very complete) list to find out “what your favorite 80s band says about you.”

    * Nick Harkaway, Tigerman

    ###

    As we revisit yesteryear, we might recall that it was on this date in 1082 that “Valley Girl” by Frank Zappa and his then 14-year old daughter Moon Unit, entered the Billboard Pop chart at #75. It peaked at #32 in August.  Written by the dad and daughter and performed by Moon Unit, and intended as a parody, the single popularized the Valley Girl stereotype nationwide; following the song’s release, there was a significant increase in “Valspeak” slang usage, whether ironically spoken or not (not the least of which was the film, Valley Girl).  Indeed, Zappa later sardonically observed that, despite his rich body of work, he was likeliest to be remembered as a novelty artist for “Valley Girl” and “Don’t Eat the Yellow Snow.”

    220px-Frank_Zappa_Valley_Girl_single

     

     

     
c
compose new post
j
next post/next comment
k
previous post/previous comment
r
reply
e
edit
o
show/hide comments
t
go to top
l
go to login
h
show/hide help
esc
cancel