Tagged: culture Toggle Comment Threads | Keyboard Shortcuts

  • feedwordpress 08:01:11 on 2018/10/09 Permalink
    Tags: , Boer War, , Consolation Philosophy, culture, , , , monetary history, ,   

    “The darkest thing about Africa has always been our ignorance of it”*… 

    african philosophy

     

    Aristotle held that philosophising begins with wonder. The African philosopher Jonathan Chimakonam suggested that, while wonder might have instigated Western philosophy, it was frustration that spurred African philosophy, with the emergence of radically Afrocentric nationalist philosophers such as Léopold Sédar Senghor, Aimé Césaire and Kwame Nkrumah who saw in philosophy an ideological weapon for attacking those who sought to denigrate and subjugate Africans culturally and politically. What is needed now is a 21st-century African synthesis that can help to resolve this struggle. ‘Consolation philosophy’ – spurred by both wonder and frustration – attempts to do just that.

    The idea of ‘consolation’ philosophy does not imply an attempt to comfort philosophers. Rather, it suggests a philosophy of life, a project similar to the human-centred philosophical projects of Western existentialists such as Martin Heidegger, Jean-Paul Sartre, Friedrich Nietzsche, Gabriel Marcel, Søren Kierkegaard, Miguel de Unamuno, Emmanuel Levinas and German idealists such as Arthur Schopenhauer. Here I offer a brief presentation of this African philosophical synthesis, which I hope will help to resolve the dilemma eloquently put forward in 1997 by professor of philosophy at Penn State University Robert Bernasconi: ‘Either African philosophy is so similar to Western philosophy that it makes no distinctive contribution and effectively disappears; or it is so different that its credentials to be genuine philosophy will always be in doubt.’…

    “Consolation philosophy” understands the human being as a unity of feeling and reason, in a cosmos rich with primal emotion.  The provocative– and timely–  essay in full at “A truly African philosophy.”

    See also “Philosophy is the new battleground in South Africa’s fight against colonialism.”

    [Image above: source]

    * Geographer George Kimble

    ###

    As we take our wisdom where we find it, we might recall that it was on this date in 1899 that the Boer regime in (what we now call) South Africa issued an ultimatum to the British government, declaring that a state of war would exist between Britain and the two Boer republics if the British did not remove their troops from along the border.

    The British had challenged the Dutch settlers for a variety of reasons, probably main among them for control of the gold deposits in the region. It was the largest gold-mining complex in the world at a time when the world’s monetary systems, preeminently the British, were increasingly dependent upon gold.

    The British ignored the ultimatum, and what we now call the Boer War (actually the second Boer War, as there has been an earlier skirmish) broke out.  The two colonialists slugged it out until 1902, when the British took control.

    boer war

    Boer and British troops at the battle of Belmont, Nov. 23, 1899

    source

     

     
  • feedwordpress 08:01:55 on 2018/09/20 Permalink
    Tags: culture, , Jeremy Baumberg, , Paul Erdos, , ,   

    “To change something, build a new model that makes the existing model obsolete”*… 

     

    science

    There is remarkably little reflection taking place about the state of science today, despite significant challenges, rooted in globalization, the digitization of knowledge, and the growing number of scientists.

    At first glance, all of these seem to be positive trends. Globalization connects scientists worldwide, enabling them to avoid duplication and facilitating the development of universal standards and best practices. The creation of digital databases allows for systematic mining of scientific output and offers a broader foundation for new investigations. And the rising number of scientists means that more science is being conducted, accelerating progress.

    But these trends are Janus-faced…

    Jeremy Baumberg argues that we live in an age of hyper-competitive, trend-driven, and herd-like approach to scientific research: “What Is Threatening Science?

    * Buckminster Fuller

    ###

    As we rethink research, we might spare a thought for Paul Erdős; he died on this date in 1996.  One of the most prolific mathematicians of the 20th century (he published around 1,500 mathematical papers during his lifetime, a figure that remains unsurpassed), he is remembered both for his “social practice” of mathematics (he engaged more than 500 collaborators) and for his eccentric lifestyle (he spent his waking hours virtually entirely on math; he would typically show up at a colleague’s doorstep and announce “my brain is open”, staying long enough to collaborate on a few papers before moving on a few days later).

    Erdős’s prolific output with co-authors prompted the creation of the Erdős number, the number of steps in the shortest path between a mathematician and Erdős in terms of co-authorships.  Low numbers are a badge of pride– and a usual marker of accomplishment: as of 2016, all Fields Medalists have a finite Erdős number, with values that range between 2 and 6, and a median of 3.  Physics Nobelists Einstein and Sheldon Glashow have an Erdős number of 2.   Baseball Hall of Famer Hank Aaron can be considered to have an Erdős number of 1 because they both autographed the same baseball (for number theorist Carl Pomerance).  Natalie Portman’s undergraduate collaboration with a Harvard professor earned her an Erdős number of 5; Danica McKellar (“Winnie Cooper” in The Wonder Years) has an Erdős number of 4, for a mathematics paper coauthored while an undergraduate at UCLA.

     source

     

     
  • feedwordpress 08:01:35 on 2018/09/14 Permalink
    Tags: 1968, counterculture, culture, Harper Valley PTA, Hey Jude, , , , , ,   

    “Take a sad song and make it better”*… 

     

    A rehearsal of the musical <i>Hair</i> at the Shaftesbury Theatre, London, September 1968

    A rehearsal of Hair.  Premiered in late 1967; photo taken, 1968

     

    Certain years acquire an almost numinous quality in collective memory—1789, 1861, 1914. One of the more recent additions to the list is 1968. Its fiftieth anniversary has brought a flood of attempts to recapture it—local, national, and transnational histories, anthologies, memoirs, even performance art and musical theater. Immersion in this literature soon produces a feeling of déjà vu, particularly if one was politically conscious at the time (as I was).

    Up to a point, repetition is inevitable. Certain public figures and events are inescapable: the tormented Lyndon Johnson, enmeshed in an unpopular, unwinnable war and choosing to withdraw from the presidential stage; the antiwar candidacies of Eugene McCarthy and Robert Kennedy; the intensifying moral challenges posed by Martin Luther King; the assassinations of King and Kennedy; the racially charged violence in most major cities; the police riot against antiwar protesters (and anyone else who got in their way) at the Democratic National Convention in Chicago; the emergence of right-wing candidates—George Wallace, Richard Nixon—appealing to a “silent majority” whose silence was somehow construed as civic virtue. And the anticlimactic election: the narrow defeat of Hubert Humphrey by Nixon, who promised to “bring us together” without specifying how.

    What togetherness turned out to mean was an excruciating prolongation of the war in Vietnam, accompanied by an accelerating animosity toward dissent. The effort to satisfy the silent majority by exorcising the demons of 1968 would eventually lead to the resurgence of an interventionist military policy, the dismantling of what passed for a welfare state, and the prosecution of a “war on drugs” that would imprison more Americans than had ever been behind bars before.

    Revisiting this story is important and necessary. But difficulties arise when one tries to identify who those demons actually were…

    Rutgers professor Jackson Lear considers several attempts to distill the lessons of the late 60s: “Aquarius Rising.”

    Special bonus: film critic J. Hoberman on why, in 1968, an especially rich year for cinema, Night of the Living Dead was his pick for best movie.

    * The Beatles, “Hey Jude”

    ###

    As we Let The Sunshine In, we might recall that on this date in 1968, our post’s title source, “Hey Jude,” sat at #2 on the pop chart– just ahead of “1,2,3, Redlight” by the 1910 Fruitgum Co. at #3 and The Rascals’ “People Got To Be Free” at #4… and just behind that week’s #1, “Harper Valley P.T.A.” by Jeannie C. Riley.

    jeannie-c-riley-harper-valley-pta-1968-a source

     

     
  • feedwordpress 08:01:03 on 2018/08/09 Permalink
    Tags: , , Betty Boop, , culture, Dizzy Dishes, , Max Fleischer, sugar,   

    “I went to the bank and asked to borrow a cup of money. They said, ‘What for?’ I said, ‘I’m going to buy some sugar.”*… 

     

     

    sugartown_final_lw_smaller.0

    Sugar is sprinkled everywhere in our language. When children are good and happy, they are cutie pies. Cool stuff can be “sweet, man.” Our crush is a sweetheart, and our sweetheart might be our honey. “A spoonful of sugar,” as Mary Poppins croons, is a bribe, something to help “the medicine go down.” Sugar is leisure and celebration — what British birthday would be complete without the stickiness of cake frosting on fingers? It is, according to Roland Barthes, an attitude — as integral to the concept of Americanness as wine is to Frenchness. In the 1958 hit song “Sugartime,” to which Barthes was referring, the sunny, smiling McGuire Sisters harmonize sweetly, filling their mouths with honey: “Sugar in the mornin’ / Sugar in the evenin’ / Sugar at suppertime / Be my little sugar / And love me all the time.”

    And like anything pleasurable, sugar is often characterized as a vice. The flood of industrial sugar into packaged food has real public health consequences, but predictably, the backlash has taken on a puritanical zeal far beyond reasonable concerns. Sugar is “America’s drug of choice,” one headline claimed. “Is sugar the world’s most popular drug?” wondered another. Even those selling sugary food winkingly parrot the language of addiction — consider Milk Bar’s notoriously sticky, seductively sweet Crack Pie. A drug that decimated predominantly poor, black American communities is now a punchline for middle-class white indulgence.

    For black Americans, sweetness was an essential ingredient in Jim Crow-era stereotypes designed to keep newly emancipated people from their rights. Those stereotypes persist — and even generate profit — today…

    Sugar is survival. It is a respite for palates swept clean of childish joy for too long. It is sexual desire and pleasure, and also temptation and sin. And it is a commodity, one historically produced with some of the most brutal labor practices on the planet. In the Western imagination, sugar is pleasure, temptation, and vice — and in modern history, it is original sin…

    How a taste for sweetness, developed for survival, became a stand-in for everything good — and evil — about our culture: “Sugartime.”

    * Steven Wright

    ###

    As turn to the tart, we might send bodacious birthday greetings to that most fabulous of flappers, Betty Boop; she made her first appearance on this date in 1930.  The creation of animator Max Fleischer, she debuted in “Dizzy Dishes” (in which, still unevolved as a character, she is drawn as an anthropomorphic female dog).

     

     
  • feedwordpress 08:01:50 on 2018/07/13 Permalink
    Tags: , , cultural differences, culture, , , , Lévi-Strauss, ,   

    “The more we claim to discriminate between cultures and customs as good and bad, the more completely do we identify ourselves with those we would condemn”*… 

     

    blog_cultural_distance_scotch_tape_black_white

    A new paper, “Coming Apart? Cultural Distances in the United States over Time” aims to see if people of different races, genders, and incomes have become more culturally distant from each other over the past few decades…

    The authors use a simple metric for this: how easy is it to predict who you are? For example, if I know your five favorite TV shows, how well does that predict whether you’re male or black or high income? If different groups watched similar shows in the past but now they all watch different shows, this kind of prediction becomes more accurate because we’re moving apart in our tastes. But it turns out we aren’t. The basic conclusion of the paper is that nothing much has happened:

    blog_cultural_distance_time

    For the most part, these lines are pretty flat. For example, take a look at the red line in the top left panel. It represents the consumption pattern of rich vs. poor, and it’s around 0.9. This means that the rich and poor are very different in the products they buy, but also that they’ve always been very different. The size of the difference, or “cultural distance,” is about the same as it’s always been…

    The biggest changes have been in gender issues, party affiliation, religion, and confidence in institutions. This isn’t surprising, nor is the fact that the divergences have been relatively large, since ideology is self-selected. The increasing political polarization of Americans has been a topic of endless discussion over the past decade, and it’s a real thing.

    [And] on a less serious side, here are the products [see chart at the head of this post] that most distinguish whether or not you’re white…

    Read on for more detail on the ways in which “We’re About as Different From Each Other As We’ve Always Been.”

    C.f. also: “What we buy can be used to predict our politics, race or education — sometimes with more than 90 percent accuracy.”

    * “The more we claim to discriminate between cultures and customs as good and bad, the more completely do we identify ourselves with those we would condemn. By refusing to consider as human those who seem to us to be the most “savage” or “barbarous” of their representatives, we merely adopt one of their own characteristic attitudes. The barbarian is, first and foremost, the man who believes in barbarism.”  ― Claude Lévi-Strauss, Race et histoire

    ###

    As we note that what’s true latitudinally is arguably also true through time, we might send magical birthday greetings to John Dee, the  mathematician, astronomer, and geographer who was a consultant to Elizabeth I– and who was born on this date in 1527. Dee was a translator of Euclid, and a friend of both Gerardus Mercator and Tycho Brahe; he revolutionized navigation by applying geometry; and he coined the word “Brittannia” and the phrase “British Empire.”  He had a tremendous impact on architecture and theater– and was the model for Shakespeare’s Prospero.

    “So how come such a significant philosopher– one of very few in a country then considered an intellectual backwater– barely features in British history books?  Because of his notorious links with magic” (observed BBC’s Discover).  Dee was indeed involved (most heavily, toward the end of his life) in the Hermetic Arts: alchemy, astrology, divination, Hermetic philosophy and Rosicrucianism (the Protestant answer to the Jesuits, which Dee founded).  Perhaps most (in)famously, Dee put a hex on the Spanish Armada, a spell widely credited at the time for the misfortunes that befell the Iberian fleet (as readers may recall).

    In a way that presaged Isaac Newton, Dee’s work spanned the world’s of science and magic at just the point that those world’s began to separate.

    220px-John_Dee_Ashmolean source

     

     

     
  • feedwordpress 08:01:53 on 2018/06/26 Permalink
    Tags: culture, Hamelin, , , , pubic opinion, , , , Walter Lippmann   

    “For the most part we do not first see, and then define, we define first and then see”… 

     

    28071419927_6c1e976958_z

    How many social activists does it take to change the world? No, this isn’t the setup for some lame joke. It’s a question no one really knew the answer to. Until now.

    We’ve seen plenty of shifts in society’s views — in just the last hundred years in America, the majority’s opinion on everything from gay rights to gender equality changed dramatically. However, we’ve never really nailed down if there was a “tipping point” for this social change — a specific number of people needed to push a belief from the fringes into the mainstream.

    Estimates ranged from as low at 10 percent of a population to as high as 51 percent, but now, researchers from the University of Pennsylvania and the University of London claim an online experiment let them hone in on the most likely number: 25 percent. They published their study [on June 8] in the journal Science

    Have your opinion sharpened (if not changed) at “Want to Change Society’s Views? Here’s How Many People You’ll Need on Your Side.”

    [Image above: source]

    * “For the most part we do not first see, and then define, we define first and then see. In the great blooming, buzzing confusion of the outer world we pick out what our culture has already defined for us, and we tend to perceive that which we have picked out in the form stereotyped for us by our culture.”   ― Walter Lippmann, Public Opinion

    ###

    As we make our case, we might recall that this the date commonly given for the day that the Pied Piper (Rattenfänger) led the children of Hamelin, Germany, into a mountain cave, never to return.

    A German version of the tale has survived in a 1602/1603 inscription found in Hamelin in the Rattenfängerhaus (Pied Piper’s, or Ratcatcher’s house):

    Anno 1284 am dage Johannis et Pauli
    war der 26. junii
    Dorch einen piper mit allerlei farve bekledet
    gewesen CXXX kinder verledet binnen Hamelen gebo[re]n
    to calvarie bi den koppen verloren  

    which has been translated into English as:

    In the year of 1284, on John’s and Paul’s day
    was the 26th of June
    By a piper, dressed in all kinds of colours,
    130 children born in Hamelin were seduced
    and lost at the place of execution near the Koppen.

     source

     

     
  • feedwordpress 09:01:50 on 2018/03/02 Permalink
    Tags: Chateaubriand, culture, , , , , memoir, Memoirs from Beyond the Grave, , ,   

    “When the legend becomes fact, print the legend”*… 

     

    Chateaubriand’s tomb, Saint-Malo, France

    Because history “belongs to the victors”– is shaped, both consciously and preter-consciously by writers looking back through the lens of their often very different presents– memoir can be an especially valuable as a vehicle for understanding a time in its own terms.  François-René (Auguste), vicomte de Chateaubriand’s Memoirs from Beyond the Grave are especially precious.  His autobiography helps us as readers locate ourselves in a time of tumultuous transition– from the ancien régime to the modern era: the Revolution of 1789, the downfall of the monarchy and the execution of the king, the advent of Napoleon Bonaparte and the empire, the restoration of the Bourbon dynasty after the definite defeat of Napoleon by the powers that joined in the Holy Alliance, its overthrow by the Revolution of July 1830, the inauguration of Louis-Philippe and the establishment of the July monarchy, and finally the birth of the short-lived Second Republic.

    But more, Memoirs helps us understand the psychological reality of living through– and in Chateaubriand’s case, playing a series of engaged roles in– that social and political sea change.

    Chateaubriand was attached to the past and its centuries-old traditions, but he was also a liberal, open to modernity: this is one thing that sets him apart in the history of ideas. He had been repulsed by the discourse and the violence of the French revolutionaries and was deeply impressed by the powerful composure of George Washington, “the representative of the needs, ideas, intelligence, and opinions of his epoch.” He had a vision of social transformation that did not entail the obliteration of the past, and was proud to declare himself “Bourboniste by honor, royalist by reason, and republican by inclination.”…

    Anka Muhlstein on the significance of the Memoirs: “A Passionate Witness“; get the book here.

    (Literature can play a similar role: consider the Prince in Lampedusa’s The Leopard and Tom Doniphon (John Wayne) in John Ford’s The Man Who Shot Liberty Valence.)

    * newspaper reporter Maxwell Scott (Carleton Young), in The Man Who Shot Liberty Valence

    ###

    As we struggle to understand, we might send tasty birthday greetings to the culinary genius behind green eggs and ham, Theodor Seuss Geisel, AKA “Dr. Seuss”; he was born on this date in 1904.  After a fascinating series of early-career explorations, Geisel settled on a style that created what turned out to be the perfect “gateway drug” to book addiction for generations of young readers.

    The more that you read,

    The more things you will know.

    The more that you learn,

    The more places you’ll go.

    I Can Read With My Eyes Shut! (1978)

     source

     

     
  • feedwordpress 09:01:48 on 2018/01/26 Permalink
    Tags: Atlantic City, biggest jackpot, culture, Cynthia Jay-Brennan, , Jay Wolke, , ,   

    “I can understand that a man might go to the gambling table – when he sees that all that lies between himself and death is his last crown”*… 

     

    Wheel of Fortune, Las Vegas, 1988

    Thirty years ago, gambling in the US was limited to three destinations: Reno, Las Vegas, and Atlantic City. Jay Wolke photographed the ordinary people who played, lived and worked in the rapidly expanding cities.  Wolke was fascinated by the intersections of people, artifice, architecture and landscape in the US’s three gambling cities…

    Girl in car, Trump Plaza, Atlantic City, 1989

    Fortune Hunter, Las Vegas, 1988

    See more at “Same dream another time: under the skin of 80s Vegas – in pictures” and at Wolke’s site.

    * Honoré de Balzac, The Wild Ass’s Skin

    ###

    As we consider the odds, we might recall that it was on this date in 2000 that Cynthia Jay-Brennan won $34,959,458.56 on a Megabucks slot machine at the Desert Inn in Las Vegas, the world’s largest payout; it was a one in 7 million chance.  A cocktail waitress at another casino, she had been a Desert Inn regular; on this occasion, she had “invested” $27 in the machine that paid off so handsomely.

    Sadly. Jay-Brennan has become synonymous with the “Jackpot Jinx”: a few weeks after her huge haul, she and her sister were driving to a casino out of town when they were hit by a drunk driver, paralyzing her and killing her sister.

     source

     

     

     
  • feedwordpress 09:01:07 on 2017/12/07 Permalink
    Tags: culture, , Homo Ludens, Huizinga, , , , ,   

    “Here we are, trapped in the amber of the moment”*… 

     

    We’ve all heard it before: There’s no time like the present. Broadly speaking, of course, it means to “seize the opportunity right now,” or maybe in my case, to avoid procrastinating. From a psychological perspective, this makes a lot of sense. As humans we experience time “passing,” and there is a special quality to the present moment. Hypnosis and dreams aside, there is no way to directly experience either the past or the future in the same way we experience the present. But is the aphorism true? Does modern physics actually tell us that there’s no time like the present?

    Our best current physical theory of space and time is general relativity. Prior to Einstein’s revolution over a century ago, physics considered time to be an “external parameter”—an independent, fundamental feature of reality not influenced by any other factor in the universe. Whether or not the passage of time is real or illusory (this is an age-old philosophical debate that predates Einstein and is indeed not settled by his theory), we now know that time intervals are not external or universally determined. Time is an internal component of a physical system, a dimension intertwined with three spatial dimensions. Taken together, this is “spacetime,” and is influenced by varying factors and is influenced by varying factors, including speed (relative to other observers or systems) and gravitational forces. Because the theory of relativity posits the constancy of the speed of light for all observers (even if they are moving relative to each other), spacetime itself must dilate and the concept of a time interval becomes elastic.

    As a result, there is no universal notion of the present that applies equally to all observers. What looks present to me could just as easily be in someone else’s future, and in a third person’s past. Simultaneity is relative…

    Think there’s no time like the present? As Mark Shumelda suggests, modern physics begs to differ: “Actually, There Is a Time Like the Present.”

    * Kurt Vonnegut Jr.

    ###

    As we cogitate on carpe diem, we might send playful birthday greetings to Johan Huizinga; he was born on this date in 1872.  A Dutch historian and one of the founders of modern cultural history, he is probably best remembered for his 1938 book Homo Ludens, in which he argues for the importance of the play element of culture and society, suggesting that play is primary to and a necessary (though not sufficient) condition of the generation of culture.

     source

     

     
  • feedwordpress 08:01:14 on 2017/09/21 Permalink
    Tags: A Hand Is On The Gate, , culture, , , , , ,   

    “Race is an idea, not a fact”*… 

     

    White people- “Viewing the Performance of ‘The Merry Wives of Windsor’ in the Globe Theatre,” by David Scott. Photo courtesy the V&A Museum

    The Jacobean playwright Thomas Middleton invented the concept of ‘white people’ on 29 October 1613, the date that his play The Triumphs of Truth was first performed. The phrase was first uttered by the character of an African king who looks out upon an English audience and declares: ‘I see amazement set upon the faces/Of these white people, wond’rings and strange gazes.’ As far as I, and others, have been able to tell, Middleton’s play is the earliest printed example of a European author referring to fellow Europeans as ‘white people’.

    A year later, the English commoner John Rolfe of Jamestown in Virginia took as his bride an Algonquin princess named Matoaka, whom we call Pocahontas. The literary critic Christopher Hodgkins reports that King James I was ‘at first perturbed when he learned of the marriage’. But this was not out of fear of miscegenation: James’s reluctance, Hodgkins explained, was because ‘Rolfe, a commoner, had without his sovereign’s permission wed the daughter of a foreign prince.’ King James was not worried about the pollution of Rolfe’s line; he was worried about the pollution of Matoaka’s…

    By examining how and when racial concepts became hardened, we can see how historically conditional these concepts are. There’s nothing essential about them. As the literature scholar Roxann Wheeler reminds us in The Complexion of Race (2000), there was ‘an earlier moment in which biological racism… [was] not inevitable’. Since Europeans didn’t always think of themselves as ‘white’, there is good reason to think that race is socially constructed, indeed arbitrary. If the idea of ‘white people’ (and thus every other ‘race’ as well) has a history – and a short one at that – then the concept itself is based less on any kind of biological reality than it is in the variable contingencies of social construction…

    Black or White?  “How ‘white people’ were invented by a playwright in 1613.”

    * Nell Irvin Painter, The History of White People

    ###

    As we aspire to (self-)consciousness, we might recall that it was on this date in 1966 that  A Hand Is On The Gate, billed as “an evening of poetry and music by American Negroes,” opened on Broadway at the Longacre Theatre. The directorial debut of actor Roscoe Lee Browne, it featured a cast of eight, including Leon Bibb, James Earl Jones, Cicely Tyson, and Josephine Premice (who was nominated for a Tony).

     source

     

     

     
c
compose new post
j
next post/next comment
k
previous post/previous comment
r
reply
e
edit
o
show/hide comments
t
go to top
l
go to login
h
show/hide help
esc
cancel